About

Artist and researcher Tim Shaw works with sound, light, and communication media to create performances, installations, and site-responsive interventions. His practice spans environmental sound art, digital media, media archaeology, walking, and installation making.

Previously, Tim has developed artistic mechanisms to listen into the sound-worlds of insects, created augmented soundwalks, designed performances for high voltage devices, broadcast radio through trees, listened to network latency through time stretched bells, and extracted musical material from rocks. He frequently presents his work at festivals, in forests, caves, warehouses, up mountains, and in museums and art galleries all over the world.

Collaboration is central to his approach and he has engaged in interdisciplinary partnerships with medieval musicologists, medical scientists, anthropologists, geologists, architects and astrophysicists. He has been lucky enough to make artistic work with Chris Watson, Phill Niblock, and Dirty Electronics (among many others).

His artworks, recordings and writings have been featured in The Guardian, Arte Tracks, Neural, BBC Radio 3, Resonance FM, We Make Money Not Art, Touch Radio, The British Music Collection, The Field Recording Show, Alphr, Its Nice That, SHAPE and The Space.


CONTACT

tim4shaw [at] gmail [dot] com


man, Tim Shaw, with dark hair covering his face with his hand Artist Portrait at Kuenstlerische Tatsachen, Jena, Germany [Image: Alexandra Ivanciu, 2024]


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